A roman striped jasper intaglio. Bust of Helios. The god, turned to the left, is wearing a tunic and a big solar crown; ...

A glass intaglio. Hybrid creature, made of the conjoined protome of two figures (a male character with an attribute ...

A roman, double-layer agate intaglio. Sleeping dog, with inscription. The animal, in its typical pose, with legs folded ...

A roman, double-layer agate cameo. Facing head. The effigy, attributable to an apotropaical mask, has been engraved in ...

A roman onyx intaglio. Facing head of Medusa. For comparisons: M. Henig, The Content Cameos, pp. 88-92. 2nd-3rd century ...

A roman three-layer agate cameo, mounted in an ancient bronze ring. Portrait of youth. The effigy, turned to the right, ...

A roman double-layer agate cameo, mounted in a modern, gold ring. Helmeted bust. The effigy, turned to the left, is ...

A roman, double-layer onyx cameo. Bust of a woman. The effigy is in profile to the right. The hair forms a striped ...

A large glass paste cameo. Female figure with eagle. The scene is made of a standing female figure, with hair tied in ...

A deep red carnelian intaglio. Bust of laureate emperor with spear (resemblance to Tiberius, ascribable to portraits ...

A rare agate cameo. Christ. The effigy of Christ is depicted frontally, from the waist up. The face is rather round ...

A precious and rare sapphyre intaglio, mounted on a gold, Renaissance ring. A bust of Emperor Hadrian. The effigy of ...

An important sapphire intaglio. Italy, Milan, third quarter of the 16th century. Crucifixion. The finely carved, deep ...

A carnelian intaglio, mounted in a modern, gold and silver pendant. A scene of country sacrifice. A male character, ...

An agate cameo, mounted on a floral victorian brooch with diamods and rubies. Mythological scene. The cameo is ...

A banded agate intaglio, mounted in a modern gold ring, 18k, with four diamonds bright cut. Two characters, with twigs. ...

An amethyst cameo. Head of a Silenus. The face of the corpulent Silenus is turned to the left, and characterized by a ...

A white gold ring with diamonds, with an onyx cameo mounted on. Head of Socrates, turned to the right. The work is ...

Post Classical agate cameo in brown agate. Portrait of Mark Antony. The expressive face of the Roman politic and ...

A carnelian intaglio, mounted in a metallic seal. Portrait bust of Alexander Pope (1688-1744). A. Pope was one of the ...

A fine nicolo intaglio by G.B. Pichler. Bust of Flora. The elegant female effigy is turned to the left with her head in ...

An agate cameo by G. Pichler, mounted in a gold ring. Leda and swan. The work is signed by the famous engraver ...

An onyx cameo, by A. Berini, mounted in a gold brooch. Portrait of a noblewoman from the napoleonic period, in profile ...

An agate cameo by G.A. Santarelli, mounted in a precious gold brooch with enamels and rubies. Erato, muse of poetry ...

A fine, two-layer onyx cameo by Girometti. Cupid - winged genie (front); allegorical emblem (back). On the front there ...

A seal by Benedetto Pistrucci. Precious amethyst intaglio, made by Benedetto Pistrucci and belonged to the artist ...

A fine, double-layer agate cameo. Zephyr and Psyche. The maiden, with reclined face and a serene expression, is carried ...

A Grand Tour orange glass cast, drawn from an intaglio. Paris and Helen, scolded by Hector. The scene is drawn from a ...

A Grand Tour orange glass cast, drawn from a Poniatowski intaglio. Mars against the Titans. The god of war, in order to ...

A Grand Tour glass cast, drawn by an intaglio. First Triumvirate. Aligned heads in profile (and partially superimposed) ...